Twenty Years of the Sandman
Change, change, change: Sandman and the ’90s « Grand Hotel Abyss
Sandman asks this ethical and political question: Is it better to accept that the world is the way it is and its constant awful tumult will never change, and thus either do your work to the best of your ability or drop out and do your own thing on the fringes; or should you refuse to accept the reality principle and hew to ethical absolutes with the purpose of making the world better than it is? Other options besides these are presented, of course, including the enactment of absolute evil (The Corinthian), the self-enslavement to addictive forms of fantasy (Barbie, Rachel), etc., but the two choices above seem to be the two ethical foci around which the ellipse of the text turns.
